A comprehensive study of Aṣṭa Vītarāga: The eight bodhisattvas of Newar Buddhist tradition
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Author
Nakata, Kazuaki See all items with this value
Date
2026
Degree
Doctor of Philosophy in Religious Studies
Committee
Shakya, Miroj
Long, Darui
Gabriel, Victor
Abstract
This dissertation examines Newar Buddhist belief, devotion, and ritual practice related to Aṣṭa Vītarāga through an analysis of the Svayaṃbhū Purāṇa and Vajrasattva Kāya, iconographical study of the Eight Bodhisattvas in Patan and at the Svayaṃbhū Mahācaitya, discussion of variations in eight-bodhisattva traditions, and an interview with an active Bajrācārya who participates in Aṣṭa Vītarāga rituals in Kathmandu.
In Newar Buddhism, Aṣṭa Vītarāga refers to an interconnected tradition involving eight bodhisattva figures, associated sacred sites, ritual narratives, and visual representations in the Kathmandu Valley. Each Vītarāga site is associated with a particular bodhisattva within the Newar Buddhist interpretation of Mahāyāna and Vajrayāna traditions. The dissertation mainly discusses the appearance of the eight Bodhisattvas in Newar Buddhism based on the contents of the Svayaṃbhū Purāṇa with supplemental information from the Vajrasattva Kāya. Through detailed art-historical analysis of the Eight Bodhisattvas’ paintings as part of Newar-Tibetan visual culture, this dissertation identifies key features of Newar-Tibetan art and contributes to a deeper understanding of its historical development.
In Newar Buddhism, Aṣṭa Vītarāga refers to an interconnected tradition involving eight bodhisattva figures, associated sacred sites, ritual narratives, and visual representations in the Kathmandu Valley. Each Vītarāga site is associated with a particular bodhisattva within the Newar Buddhist interpretation of Mahāyāna and Vajrayāna traditions. The dissertation mainly discusses the appearance of the eight Bodhisattvas in Newar Buddhism based on the contents of the Svayaṃbhū Purāṇa with supplemental information from the Vajrasattva Kāya. Through detailed art-historical analysis of the Eight Bodhisattvas’ paintings as part of Newar-Tibetan visual culture, this dissertation identifies key features of Newar-Tibetan art and contributes to a deeper understanding of its historical development.
Keywords
South Asian studies See all items with this value
Archaeology See all items with this value
Philosophy of Religion See all items with this value
Asta Vaitaraga Katha See all items with this value
Asta Vitaraga See all items with this value
Eight Bodhisattva See all items with this value
Newar Buddhism See all items with this value
Svayambhu Prana See all items with this value
Vajrasattva Kaya See all items with this value
Degree Granter
University of the West
ISBN
9798186366188